Thursday, September 04, 2025

30 Years of Xena: Warrior Princess


 

Today marks 30 years since the premiere of 'Xena: Warrior Princess' on September 4, 1995. Originally starting as a spin-off of 'Hercules: The Legendary Journeys', it eventually surpassed it in both ratings and popularity, with several characters that originated in Hercules, like Bruce Campbell's Autolycus, also eventually becoming primarily associated with Xena in the long run.

The show was shamelessly and unapologetically campy to its core, but beyond Xena's cheesiness and genuine heartfelt moments, it also managed to be groundbreaking on several levels. It was a primarily female-led action series, which, despite the existence of characters like Ellen Ripley, Princess Leia, and Sarah Connor, was an extreme rarity at the time. Beyond that, Xena started as a villain who changed her ways, she was physically strong and athletic, she was messy and flawed, and her primary motivation was redemption, not revenge.

Xena featured a noticeably diverse cast for its time and famously challenged gender norms and stereotypes, while also exploring LGBTQIA+ themes, often pushing beyond whatever limits the mainstream television rules of the ’90s imposed. It even touched upon themes of gender identity and nonconformity, with episodes like the standout “Here She Comes... Miss Amphipolis,” which featured the late Karen Dior as Miss Artiphys, a character who may not have been explicitly referred to as trans at the time, but who was also never ridiculed or made the butt of the joke after explaining to Xena the decision to take part in a beauty pageant presenting as a woman, with the quote:

“You really don’t get it, do you? I guess being born a woman you wouldn’t. This is a chance to use a part of me most people usually laugh at, or worse. A part I usually have to hide. Only here that part works for me, you see?”

The episode not only showed Xena, a woman who, overall, did not fit traditional feminine tropes, befriending and accepting someone different who was exploring a feminine identity, and celebrating her victory when 
Miss Artiphys is crowned winner of the pageant at the end, but it also made a clear statement against the stigma surrounding HIV/AIDS at the time by featuring an on-screen kiss between Lucy Lawless and Karen Dior, who was diagnosed with HIV and was a prominent AIDS activist.

The relationship between Xena and Gabrielle, even though it was never explicitly confirmed as an actual romance beyond the show's famous subtext, was a complex and evolving connection, with the bond and affection between the two characters being undeniable, pushing the boundaries in regards to queer representation. As their connection evolved, it became clear how the two balanced and inspired each other, with Gabrielle challenging Xena's darkness, acting as her moral compass.

Xena started as a heavily-guarded, hardened warrior who had no intention of letting anyone in, but Gabrielle's influence eventually broke through her walls and got to her. That fundamentally changed Xena as the series progressed, as we get to see her softer, more vulnerable side due to Gabrielle's influence. Despite whatever limitations the network restrictions in the ’90s inflicted on the writing of these characters, this was a story of two women who genuinely loved and significantly affected each other, and to the audience that was unmissable.

In a time of ancient gods, warlords, and kings... but also a time when homophobic jokes and sexist stereotypes and tropes were widespread and all over mainstream media, Xena came and changed the world of television forever, paving the way for future action heroines, providing inspiration for female characters decades later, and earning her status as a timeless cult icon, fair and square.

Thursday, August 21, 2025

ARC Read - Marvel Comics Classic Quotes

'Marvel Comics Classic Quotes' by Robb Pearlman is a fun coffee table-style book that can be casually read in a single sitting. For any Marvel fan, it delivers a selection of mostly well-known catchphrases that have become popular through internet memes and the MCU like "I am Groot" and "I don't want to cure cancer. I want to turn people into dinosaurs", but also a few that come directly from some of the best stories from the comics, like Ms. Marvel's "Good is not a thing you are. It's a thing you do."

Each quote is usually accompanied by a comic book panel, but oddly enough not always the panel it is referencing. It's clear that this is a book primarily targeted towards people that are familiar with both the quotes and the stories themselves, and that is a shame as I would have loved a little snippet of context to also be there to provide more information on what each quote means. Some quotes can perfectly stand on their own and hold meaning even if someone hasn't read that particular story, others though not so much. The words "No more mutants" for example, will mean very little to someone not familiar with the story arc behind them. Not every Marvel fan has read all the comics, and it would be a good way to get more people interested in discovering new books.

I'd say that my biggest nitpick about the book is the lack of credit given to artists and writers. For most quotes there is a comic title with the issue number and date, referencing their origin, but no information on the people who wrote and drew them. Despite the misconception that comic books are just shallow pop corn entertainment, there is lots of heart, depth, and insight to be found in many of these stories, and that's thanks to the artists and writers behind them.

It was nice seeing (part of) one of my favourite quotes from Loki: Agent of Asgard #13 (2015), by Al Ewing, Lee Garbett, and Antonio Fabela:

"What is a lie, when it's at home? Anyone? Is it the depressed little voice inside? Whispering in my ear? Telling me to give up? Well, I'm not giving up. Not for that part of me that hates myself. That wants me to wither and die. Not for you. Never for you. What's a lie, Verity? A lie is a story told. That's all. And we can rewrite our stories. All of us. Write our own happy endings. Our own redefinitions. We don't have to be what we're told to be. Even by ourselves."

Panel from Loki Agent Of Asgard 13

 

Thank you to Cider Mill Press for the advance reader's copy, the book is coming out on October 07, 2025.

Thursday, August 07, 2025

Recent Watch - The Fantastic Four: First Steps (2025)

promo image with the main characters of the film

 

Overall, I really, really enjoyed 'The Fantastic 4: First Steps'. It was *very* refreshing to watch an MCU project that was primarily focused on doing its own thing, and telling its own, mostly self-contained story without being preoccupied with setting up a dozen other storylines for films that will come out in 3 years, or offering more fan service than plot. The Easter eggs, the little nods to well-known characters from the FF comics, and the dedication to Jack Kirby were all genuinely nice touches as well.

I'd say that after 4 not-so-fantastic attempts, they've managed to bring these characters to live action in a way that works. The retrofuturistic setting allows for them to stay true to many of the comic book themes without needing to strive too hard for realism. The chemistry between the cast works in making them feel both like a team and like a family. They all get their separate moments to shine and use their powers, but Vanessa Kirby's Sue Storm is the undeniable heart of the film and the glue that holds them together.


Monday, July 14, 2025

25 Years of Live Action X-Men

Original poster featuring the main characters of the 2000 X-Men film

 

25 years today since the first 'X-Men' film was released back in 2000. The fact that this movie happened back then, 8 years after the X-Men animated series that got so many of us into the comics, was a *huge* deal. Seeing the posters for the first time and seeing in live action the X-Mansion basketball court opening up and the Blackbird flying out caused some *serious* hype.

It marked a milestone for Marvel after their rocky history of low-budget, low-effort adaptations, especially with a cast like Patrick Stewart, Ian McKellen, Anna Paquin, and Ray Park, while also helping to propel Hugh Jackman's career. It was a fun action film that took itself, its cast, and its audience seriously and stayed true to the core theme of the X-Men being a team of outcasts who fight to protect a world who hates and fears them.

In retrospect is it a perfect X-Men adaptation? Nope. It never managed to shake off the shame it felt for certain aspects of its source material, and in the process of trying to make it digestible to a wider audience, it failed to fully capture the 'found family of weirdos with a hint of soap opera' spirit of the comics. It lacked the heart that acted as the glue keeping those characters together, sticking up for each other, despite their different backgrounds and personalities.

But the film undeniably marked a significant shift in the way Marvel comic book adaptations were approached, eventually leading to an era where these movies have found a better balance between serious themes, camp, and yellow spandex.

Saturday, July 12, 2025

James Gunn’s ‘Superman’ Brings Back the Trunks and the Heart

Superman shown to be talking to Krypto the dog who is starign at him curiously


I've had a deep love for comic books for decades, and I've been a fan of Superman ever since little kid me came across a videotape of Christopher Reeve's portrayal of the character in the first Richard Donner film. Superman has existed since 1938, and naturally there have been dozens of different interpretations of him, but my favourite has always been the OG corny nice guy who uses his powers for good. There is a certain charm in the idealism of that concept. And this is exactly what the promos for the new 2025 'Superman' film seemed to promise. Having now watched 'Superman', I can say that it was everything I had hoped it would be.

There's a noticeable amount of inspiration drawn from both the Donner films, Golden/Silver Age material, and classic comics like Grant Morrison's All-Star Superman here. The story is not a direct adaptation, but watching David Corenswet's depiction of the character felt like watching the same Superman who talked a depressed teenage girl off the ledge, telling her that she is much stronger than she thinks she is in All-Star Superman #10. One of the most talked about scenes from the character's history, for good reason. Because Superman isn't just the guy who is capable of punching holes through walls, he doesn't act from a place of vengeance or anger, or needing to prove a point. He doesn't just use his fists, one of his greatest strengths is his ability to empathise, and he does what he does because he cares. He stops alien invasions, he saves kittens from trees, and all the things in-between.

Panel from All-Star Superman #10
It's a simple concept but it doesn't need anything more added to it in order to work. People may not be able to  fly or stop bullets with their hands, but people can just choose to be good just because it's the right thing to do. I'd argue that the only way to make a character like Superman sympathetic enough so that readers (or viewers) can connect with him on a substantial level is to make him as human as possible. There is no appeal in an omnipotent, flawless, macho, inapproachable person who is allergic to emotions, no matter what the folks who self-label as life coaches and think that there is an instruction manual to human connections try to tell you, and any story about such a character can only go so far. Clark is a guy with tremendous powers and capabilities, and out of all the things he could do with them, he chooses to help and protect those who need him.

The rest of the cast is also fantastic. Nicholas Hoult delivers a great performance as Luthor, making for a very convincing megalomaniac billionaire, driven by ego and capable of real cruelty. Edi Gathegi is brilliant as Mr. Terrific, and Rachel Brosnahan simply is Lois Lane. The chemistry between Lois and Clark was spot on, you can see why these two people fell in love with each other, and even how the different aspects of their personalities fit together.

It was a smart choice showing the characters already being a couple, with Lois also knowing Superman's identity. The movie would have gotten tedious really fast if it tried to be yet another origin story. The tale of them getting together has been told numerous times before, and as one of the most famously endgame couples in the history of comic books, their relationship is built on more than physical attraction and Lois's fascination with Superman.

Contrary to the Batman and Catwoman dynamic, the most interesting part of the relationship between Clark and Lois comes after the characters end up together. Clark cooking for Lois when she comes home, Lois being in Clark's childhood bedroom, meeting his parents, noticing him interact with his dog, noticing his posters on the wall and all the other items in the room that tell a little story of who this sweet, nerdy guy is as a person, is something that comes from a place of affection, and it's nice to see the characters established that way.

Krypto the dog was hands down another highlight of the film. I think this version, even if he is rather different to the one from the comics, works excellently. He is ridiculous and loveable, and steals every scene regardless, but I think those who have had the experience of owning a dog whose inability to read the room and follow the rules is only surpassed by his ability to love you enthusiastically will feel a little extra fondness for his sloppy excitement (and maybe a little appreciation for the fact that dogs aren't capable of flying in real life).

There are some parts of the plot that feel a little messy, but overall 'Superman' was an undeniably enjoyable watch, and most importantly, it was a film that truly understands the character. My only major gripe would be how much of the second part of the film was shown in the trailers. Some scenes I'd rather have experienced for the first time while watching the movie. At the same time, I loved how 'Superman' doesn't shy away from being colourful, it never tries to pretend that it's anything other than a comic book movie, it never attempts to hide its ridiculousness by trying to give a logical explanation as to why there's a cute dog wearing a tiny red cape flying around.

At the same time, it also remains relevantly political, in the way Superman has always been ever since his creation by Jerry Siegel and Joe Shuster 87 years ago. Despite how the word might have become taboo for certain parts of the internet, the story of Superman has always been interconnected with real-life issues, and beyond what label any of us uses to describe the basic concept of the character, Superman has always essentially existed as an answer to the question "what would someone who is fundamentally a good person do if they had the power to stop harm and injustice?"

The story and the themes are delivered through a modern lens, showing how smear campaigns, xenophobia, and disinformation can be weaponised, and how mob mentality works in the age of social media, but at the same time the movie stays true to the spirit of the character.

Superman is the most powerful man on earth, but what defines him is his vulnerability and his heart. He is nearly indestructible, but also a little dorky, compassionate, witty, he remembers the details from a first date, he is occasionally awkward, he loves his unruly dog, heck he loves all dogs. He stops mid-fight to save a squirrel, he cares about Malik the street vendor who once gave him free falafel, he acts from a place of wanting to protect the innocent, he cries, he inspires others to be better, and he believes kindness is the most punk rock thing there is. Because it is.



Monday, July 07, 2025

25 Years of Final Fantasy IX

Illustration by Toshiyuki Itahana showing Garnet and Zidane with the Final Fantasy IX 25th anniversary logo.


25 years ago today one of the best entries in the Final Fantasy series was released. At first glance, it's easy to consider Final Fantasy IX as a light and whimsical title, especially in the shadow of FFVII. But anyone who has played the game knows that beyond its colourful characters and gorgeous scenery, it explores themes of existentialism, identity, finding your chosen family, finding love and acceptance as you are, and also finding yourself and what it means to carve your own path and to make the choices that define you, despite your past or what inner or outer darkness you are fighting against.

It's a story that asks some very deep questions about dealing with depression, the meaning of life, and the fear of death and loss, that ultimately rejects nihilism by emphasising how even the realisation that existence is temporary and mortality is inevitable doesn't diminish the importance of connecting, loving, sharing, hoping, experiencing the little moments, and fighting for a better world. It's one the most beautiful and hopepunk games to have come out in the last few decades that remains more relevant than ever, and is well worth discovering even today.

Illustration by Yuya Ishihata/ Square Enix


Illustration by Toshiyuki Itahana / Square Enix

Friday, July 04, 2025

Recent Watch - Ironheart

Promo picture for the show with Riri facing front and half her face being covered with the face of her iron suit and the show's logo appearing on top of a piece of iron in the shape of a heart to the right of the picture.

Having finished all 6 eps, I can say that I really enjoyed 'Ironheart'. I liked most things the show did, the changes from the comics made sense, and they made up for the absence of Tony Stark in Riri's story by giving her a more personal, and actually touching, connection to her suit and her motives.

The themes of a 19-year-old girl experiencing loss and trauma and acting from a place of grief and frustration while trying to regain some control over her life, learn to stop pushing people away, and use her gifts, without having the privilege of Stark's resources, were explored really well. It's very human for someone to act messily and abrasively, but not maliciously, when they are trying to protect themselves from experiencing more pain, and supernatural and comic book elements aside, for me, 'Ironheart' depicted that rather realistically too.

The show had its funny and heartwarming moments, and Dominique Thorne is great as Riri. The only gripe I have is with the ending, because it felt very MCU formulaic in how it tries to set up things coming next, instead of wrapping up the current story, and more specifically it felt out of character and out of place, considering Riri's whole arc. That said, if a second season happens I will surely be watching!

(Wide-eyed Tiffie in the pic to nod to *that* thing finally happening in the MCU.)

My tuxedo cat Tiffie standing next to the PC monitor showing and instance from the show Ironheart with Riri Williams in her Iron suit bursting into a room, her arms extended forward with blue beams coming out of her palms. Tiffie has a rather perplexed and surprised look on her face as she looks upwards towards the camera.

 

Wednesday, May 21, 2025

ARC Read - It Rhymes With Takei

Book cover showing an illustration of George Takei in front of a rainbow, followed by several different versions of his younger selves.
I was happy to get my hands on 'It Rhymes With Takei', George Takei's second graphic novel memoir after 'They Called Us Enemy', his excellent first graphic novel where he recounts his memories of the American concentration camps during World War II, which he had experienced first hand as a 4-year-old boy. This time around, the famous actor and passionate activist focuses on the more personal story of his identity as a gay man, his late coming out at the age of 68, back in October of 2005, and all the decades and experiences that formed his views of the world, fuelled his passion for social justice, and shaped him as a person.

The book is a heartfelt and vulnerable recounting of his most formative experiences as a young boy who grew up feeling different, not fitting in, but who also lived in a world that made it very clear that his difference wasn't going to be tolerated. From the several prejudices of the times, to the bullying and the prevalent homophobic slang, to later seeing people's careers being ruined after the revelation that they were gay, it is not hard to understand why a young Asian-American man would be fully convinced that the best thing to do is to live his life hiding who he truly is.

The way George Takei explains his everyday experiences paints a very clear picture of the American society of the 1950s and on. His thorough way of describing things makes you understand both the man and his way of thinking specifically, as well as the conditions and political climate that he grew up into. On a global scale, we still have a long way to go when it comes to LGBTQIA+ rights and social acceptance, but it is also undeniable that just a few decades ago homosexuality was condemned socially and politically to such a degree that it rendered people who were outed unemployable pariahs, ruining their careers, families, reputations, and everything else in their lives for daring to love who they loved.

In this book George Takei also takes us through the stages of his career, from the early days where he caught the acting bug and couldn't let go of his dream, to how he was propelled to fame, landing the role of Hikaru Sulu in 1966, despite the difficulties of the era and the setbacks they caused for an Asian-American actor in the industry.

It's a fascinating read, both for fans of the actor, but also for anyone interested about the history of LGBTQIA+ rights, and frankly anyone who has ever felt isolated, lonely, and like they didn't quite fit in. Seeing a young boy growing up to follow his dreams, finding a person to love, eventually getting married to his husband in 2008, and finding his place in the world, living his life on his own terms, is nothing short of inspiring, and also a little reminder that, despite dark times, change is always possible.

The art by the extremely talented Harmony Becker, who also worked on 'They Called Us Enemy' is gorgeous and fits the book well, and the storytelling is just beautiful and sincere, making it impossible to not get invested. From the very first pages it becomes very clear that this is a story of hope, being told by a man who is looking back at his life, and after decades of being told by society that it's best to keep one of the most important parts of himself hidden, he is sharing his truth with the world.

A huge thank you to IDW Publishing and Top Shelf Productions for offering me an advance review copy. The book is coming out on June 10, 2025.

Sunday, May 11, 2025

Recent Read - The Passion of Pedro Almodóvar: A Self-Portrait in Seven Films

Book cover of The Passion of Pedro Almodóvar

I recently got my hands on 'The Passion of Pedro Almodóvar: A Self-Portrait in Seven Films' by James Miller, a book that, as the title suggests, explores the real life story of the Spanish director and the mark he has left on European and global cinema by drawing parallels with the themes he has chosen to explore in 7 of his most well-known films, or as Miller puts it, 7 of his most personal works. From 'Volver' to 'Pain And Glory' and 'Bad Education', the book is divided into sections dedicated to each film separately, both exploring Almodóvar's inspirations and arguing the autobiographical nature of these works, as discerned by the author.

Miller does a great job in structuring the book, and sharing enough information to create a big picture by exploring both Spanish and cinematic history in a way that allows the reader to have a clear understanding of Almodóvar's formative experiences, and thus his perspective as a creator. It is worth keeping in mind that although the book is undeniably a thorough and engaging exploration of the auteur's work through a deeply thoughtful and analytical lens, and does often back its points using Pedro Almodóvar's own public statements, it is in the end of the day solely based on the author's personal interpretation of Almodóvar's approach to film making.

Of course cinema, like any other art form, is experienced differently by different people, so naturally every time someone attempts to analyse a film, or in this case an entire filmography, they are unavoidably impacted by the ways it spoke to them personally. It becomes evident from the start that the author has both a vast knowledge of Almodóvar's work and a very deep appreciation of him as a film-maker. This is of course necessary, if one intends to write such a deep analysis of how a creator's life experiences are interwoven into their art, but at the same time the book at points puts Almodóvar on an impenetrable pedestal that leaves no room for critique.

And even though the book definitely addresses the several times the auteur has been challenged for certain artistic choices, specifically about the ways he used themes of trauma and sexual abuse in his works, I would have appreciated a more critical and rounded approach to the matter, especially given the sensitive subjects in question.

There is a balanced middle ground between unquestioning praise and absolute condemnation, that allows for art to be discussed both as a form of expression that is free to touch upon taboos and use uncomfortable subjects to provoke the status quo and invoke certain thoughts and feelings, and also as something deeply human, and thus imperfect, that isn't perceived and experienced the same way by everyone, and therefore cannot be exempt from scrutiny. Unfortunately, the book did not always succeed in finding that balance for me.

'The Passion of Pedro Almodóvar' is first and foremost aimed at someone who is already a fan, but can also be read by anyone curious to learn more about the film-maker and gain a deeper knowledge of his works. The author provides enough information for each film so it's not necessary for someone to have watched all 7 of them before reading, but this also means that spoilers about every important plot point cannot be avoided.

A sincere thank you to Columbia University Press for providing me with a review copy of the book.

Wednesday, April 30, 2025

Full Throttle (1995) - 30 years of “Motorcycles. Mayhem. Murder.”


Today marks the 30th anniversary of Full Throttle, released on April 30, 1995. A cult classic little gem from the golden age of LucasArts point-and-click adventure games. Tim Schafer's first solo project, featuring biker gangs, storytelling and cutscenes that draw inspiration from the Mad Max films, a protagonist who gets wrongfully framed for murder, a distinct cinematic style, and a soundtrack by The Gone Jackals.

Ben, the main character, was voiced by Roy Conrad, while Mark Hamill voiced the game's villain. Despite its planned sequels never getting off the ground, and the title being relatively short, Full Throttle has more than managed to perfectly stand out on its own thanks to its humour, memorable story and characters, and its fresh new approach to the adventure game genre. Decades later, it still deserves all the love it's getting, and if you've never played it, the 2017 remaster is an excellent way to fix that.


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