32 years ago, Henry Selick's The Nightmare Before Christmas had its wide theatrical release. What began as a short poem with a few early character sketches by Tim Burton, was shaped by the contributions of many incredible artists into the cult classic we know. From Michael McDowell's initial draft to the final screenplay of Caroline Thompson (who also had concerns about the racist stereotype undertones of Oogie Boogie) that greatly expanded upon the original ideas, turned Jack’s curiosity into an existential search for meaning, and added emotional depth and complexity to the characters.
Sally wasn't part of Burton's original poem, existing only as a vague idea in sketch form. It's Thompson who created her entire arc, from her initially unrequited love to her desire for freedom and finding herself beyond what she was told she should be, serving as the heart of the film. The film’s characteristic gothic and whimsical aesthetic also owes its final form to the combined genius of visual consultant Rick Heinrichs, cinematographer Pete Kozachik, and art director Deane Taylor.
It took 3 years, over 200 meticulously crafted puppets, and an entire team of animators, puppet builders, and lighting designers to make TNBC what it is. Beyond the characters, the story, and the music, the film is also a prime example of the artistry of movie making and practical effects, and the magic of stop-motion animation.
